Forcing
in a side suit.
There are some
important systemic agreements here. What do these three sequences mean?
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16. |
West |
East |
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1[ |
3{ |
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3] |
3[ |
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17. |
West |
East |
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1[ |
3{ |
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3] |
4[ |
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18. |
West |
East |
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1[ |
3{ |
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3] |
4} |
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We will play them in
the following manner. Firstly, we never force on two-suiters in Clarendon
Standard (except when one of the suits is openerŐs, of course). Secondly, a
force (the Americans call it a jump shift) shows one of three types of hand: A
hand with a four-card fit for partner, a hand with a very good suit and a
knowledge of where the best game is; a hand with a fair suit and all round
values. These three hands would all make a jump shift of 3{
over an opening bid of 1[:
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Hand 16. |
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N |
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[ |
K 9 5 |
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W E |
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] |
Q 4 |
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{ |
A K Q 8 6 3 |
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S |
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} |
K 10 |
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Hand 17. |
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N |
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[ |
A K 7 4 |
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W E |
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] |
7 3 |
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{ |
A Q J 9 2 |
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S |
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} |
10 4 |
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Hand 18. |
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N |
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[ |
A Q 6 5 |
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W E |
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] |
J 7 |
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{ |
K Q J 8 7 |
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S |
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} |
A 10 |
These hand numbers
match the numbers of the bidding sequences above them.
In Hand 16 it is clear
that 3NT or 4[ is cold (and, of
course a slam must be close). When opener rebids 3]
it is quite safe to bid 3[ as a probe – to
see if West can cue-bid or wants to sign off in 4[.
In Hand 17 we want to
show good trump support and a good suit, making a jump shift being the way to
do it. Notice that 4[ on the second round denies
an Ace outside of Diamonds or Spades. If you do have an outside Ace you can
show it by means of a cue-bid as in Hand 18. The sequence of forcing and then
jumping to game is called a picture bid. Responder is giving a good
picture of his hand – a good side suit, good trumps and little in the way
of outside controls.
In Hand 18 the
sequence shows Spade support and the Ace of Clubs. 4}
cannot be natural as we do not force on two-suiters.
A change of suit on the second round after a force always is a cue-bid
agreeing openerŐs suit. For example, in the following sequence the last call is
unambiguously a cue-bid agreeing Hearts.
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West |
East |
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1] |
3} |
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3{ |
3[ |
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As a final point,
tangential to the discussion, the following hand is the other sort that would
force with 3{ over an opening bid
of 1[. This example shows that a jump shift
does not guarantee support for openerŐs suit.
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Hand 19. |
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N |
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[ |
Q 6 |
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W E |
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] |
K J 10 |
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{ |
A K J 8 6 |
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S |
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} |
K 10 3 |
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Here it is quite safe
to bid 3{ over 1[
intending to follow with 3NT on the next round. This cannot mislead partner
about strength – if you only respond 2{
you have a problem if opener rebids 2]
or 2[. What now?
Of course, there are
still hands that do not fit the described system. What, for instance, should
you respond on this hand over 1[?
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Hand 20. |
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N |
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[ |
K 9 7 5 4 |
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W E |
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] |
A 7 |
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{ |
K 5 |
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S |
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} |
A J 6 3 |
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West |
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East |
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1[ |
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? |
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For possible answers,
read onÉ
Other
methods.
There are two extra conventions that enable us to cope with the problem of the last hand. You will either have to select one of these methods or you will have to accept that some hands are unbiddable.
As a historical point
it is highly unlikely that either Jacoby (father or son) invented this
convention (after all Sam Stayman did not invent the convention that bears his
name) but somehow the name has become associated with it. Anyway, here it is:
A response of 2NT to 1] or 1[ is game-forcing agreeing openerŐs suit.
Note that if you agree
to adopt these methods you cannot, of course, play Baron 2NT over one of a
major. (It is, however, important to agree what 2NT means over 1}
or 1{. Either Baron or natural is perfectly
sensible, according to taste).
Note that 2NT should
show a raise of partnerŐs major in a hand that is too strong for bidding by
other methods. Since a 3NT response promises one sort of major suit raise and
double jumps show splinters 2NT covers all other types of game-going supporting
hands. The negative inferences that are available here (responder does not hold
a flattish 12 – 15 points, nor a medium strength hand with a singleton
nor a hand with a good side suit) are important.
After a 2NT response
to 1] or 1[
opener has the following rebid possibilities:
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New suit |
Natural, not necessarily showing the top
cards. |
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Jump to game |
Minimum hand, no slam interest. |
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3NT |
Natural, flat 15 – 16, with the opening
bid a four-card suit. |
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3 of the major |
Showing some interest, allowing room for
cue-bidding. |
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Jump in a new suit |
Splinter, showing a shortage in the bid suit. |
The advantage of a new
suit showing length is to allow responder to evaluate the fit of the two hands.
A new suit is something of a trial bid, but at slam rather than game level.
Transfer
forces: Basic scheme.
After an opening bid
in any suit followed by a
Pass by RHO the following system of responses applies:
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2NT |
is game-forcing with Clubs. |
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3} |
is game-forcing with Diamonds. |
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3{ |
is game-forcing with Hearts. |
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3] |
is game-forcing with Spades. |
If the transfer is
into a new suit (as in the sequence 1]
– 3}) then opener
completes the transfer only if he has positive support for responderŐs suit (Q
x x or better), otherwise makes
his natural rebid.
If the transfer is
into openerŐs suit (as in the sequence 1[
– 3]) then the following
applies:
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New suit |
Natural, not necessarily showing the top
cards. |
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Jump to game |
Minimum hand, no slam interest. |
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3NT |
Natural, flat 15 – 16, with the opening
bid a four-card suit |
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3 of the major |
Showing some interest, allowing room for
cue-bidding. |
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Jump in a new suit |
Splinter, showing a shortage in the bid suit. |
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Hand 21. |
[ |
A Q 7 3 |
N |
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[ |
K 9 7 5 4 |
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] |
K 9 6 |
W E |
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] |
A 7 |
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{ |
A Q 10 6 |
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{ |
K 5 |
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} |
K 9 |
S |
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} |
A J 6 3 |
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West |
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East |
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1[ |
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2NT
or 3] |
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3[ |
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4} |
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4{ |
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4] |
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5} |
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5{ |
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5] |
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5NT |
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7[ |
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Pass |
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And, finally, a hand
to showing how a 2NT response might avoid getting too high (with the
possibility of a Club ruff even 5[
suffers from vertigo):
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Hand 22. |
[ |
A Q 10 9 6 |
N |
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[ |
K J 4 2 |
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] |
6 |
W E |
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] |
A K 8 3 |
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{ |
K Q 8 3 |
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{ |
A J |
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} |
Q 10 8 |
S |
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} |
J 9 4 |
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West |
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East |
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1[ |
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2NT |
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3{ |
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3] |
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3[ |
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4{ |
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4] |
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4[ |
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Pass
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